The Colour And The Shape was released on May 20, 1997, to somewhat mixed reviews. But I felt like this was what I had to do in order to make this album happen.” “I know that William will never forgive me for playing drums on that record,” Grohl admitted in the Foo Fighters documentary Back and Forth. “I thought ‘Okay, well, just to save time, I’m going to record these new songs… and then we’ll have Will re-do the other stuff.’ And then William caught wind that I was going to do drums and basically just said ‘Well, I don’t agree and I don’t want to be in the band.’ Most people are under the impression that kicked him out of the band, but he absolutely quit.” “I had this idea that I was going to play drums because we were running out of time and William was having difficult recording,” Dave Grohl recalled. And so, in February of 1997 the band set up anew in Grandmasters Recorders in Los Angeles: or rather three-quarters of the band did, as William Goldsmith was not initially informed of this group decision. Read Classic Rock, Metal Hammer & Prog for free with TeamRock+Ī decision was made to start the record from scratch, in a new studio, in a different city.The 10 best Foo Fighters songs tucked away on b-sides.Pixies talk rehab, songs about seedy sex and filling Kim Deal's shoes.How Monkey Wrench brought Foo Fighters a whole new audience. It was the catalyst that brought it all together.” “When I heard Everlong it was just like, ‘Oh…’ Gil Norton recalled. It was no surprise then, that the lyrics on these latest recordings would be so stark, bruised and affecting. The singer had been served with divorce papers at Bear Creek, and his scars were still raw. Both songs – Walking After You and Everlong - were rooted in real experiences for the singer, specifically in the slowly unfurling relationship with his photographer wife Jennifer Youngblood. In the dead time between Christmas and the New Year, Grohl decided to record two new songs on his own in a small studio in nearby Arlington. “It has to be better than this,” the increasingly disenchanted singer told Pat Smear. Repeated listening only served to accentuate the stiffness of the performances to his ears. Dave Grohl returned home to his mother’s house in Virginia with tapes of the performances already tracked. “I want them to be proud at the end of it.”Īs Christmas rolled into view, the band and their producer decided to call a time out. “When you’re a producer the aim of the game is to extract the best performances, the best songs and the best album at the end of the day,” Norton countered, entirely reasonably. Working in such a manner, said Grohl, was “Really. Grohl and his bandmates – guitarist Pat Smear, bassist Nate Mendel and drummer William Goldsmith – were tutored in the school of punk rock, where feel, attitude and aggression were prioritised above precision: this was an anathema to the perfectionist Norton, who demanded that his young charges record take after take, much to their frustration. You can get your hands on the Dave Grohl ICON snare here.Initial sessions for the second Foo Fighters album began under Norton’s watchful eye on November 18, 1997, at Bear Creek Studios, a residential facility located in rural Washington. I’ve never had my own snare drum before, and this is pretty beautiful.” “I’d like to thank everybody at DW, as this is something that blows my mind. We finally get to share this with the world, and we know his fans will appreciate the thought and effort put into this very special ICON drum.”Īnd of course, Dave Grohl had this to say: When he saw the drum for the first time, we couldn’t have asked for a more amazing reaction. “We’d been waiting a long time to present this special project to Dave. And last but certainly not least, it also comes with a Deluxe DW carrying case, certificate of authenticity, and Sound City hat. It comes fitted with True-Hoops, True-Pitch 50 Tuning, True-Tone Snare Wires, MAG throw-off with 3P butt plate, and DW Heads by Remo. It’s crafted from 11-plies of North American hard rock maple with VLT grain orientation technology and includes some beautiful nickel-plated hardware. The ICON snare features a wood inlay silhouette of Grohl, his feather tattoos, and a tribute to both Sound City and Studio 606, which are made from 1/36″ veneers of black pear and sycamore wood.
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